The F root note is one of the most important and most feared chord families on guitar. The open F major barre chord is the wall that every beginner hits — but once you break through it a whole new world of music opens up. From the emotional Fm to the sophisticated Fmaj7 — every F chord shape you will ever need is on this page.
F Minor (Fm)
Dark powerful and emotional. Fm is a barre chord at fret 1 using the E minor shape. One of the most dramatic minor chords on guitar — used constantly in emotional ballads and rock music.
e |--1--|
B |--1--|
G |--1--|
D |--3--|
A |--3--|
E |--1--|
Fingers: Index barre across all 6 strings at fret 1
Ring=A string fret 3 Pinky=D string fret 3
Strum: All 6 strings
Songs: Toxic — Britney Spears, Fix You — Coldplay (bridge), countless emotional ballads and rock songs
F Major (F)
The most famous wall in beginner guitar. F major requires a full barre at fret 1 using the E major shape. Once mastered it unlocks the entire moveable barre chord system across the neck.
e |--1--|
B |--1--|
G |--2--|
D |--3--|
A |--3--|
E |--1--|
Fingers: Index barre across all 6 strings at fret 1
Middle=G string fret 2
Ring=A string fret 3 Pinky=D string fret 3
Strum: All 6 strings
Easier partial voicing for beginners:
e |--1--|
B |--1--|
G |--2--|
D |--3--|
A |--x--|
E |--x--|
Fingers: Index barre B and e strings at fret 1
Middle=G string fret 2 Ring=D string fret 3
Strum: 4 strings (D to e — skip A and low E)
Songs: Let It Be — The Beatles, No Woman No Cry — Bob Marley, countless songs in C major
F Power Chord (F5)
Root and fifth only. Clean and powerful. One of the most used power chord positions in rock guitar anchored at fret 1 on the low E string.
e |-----|
B |-----|
G |-----|
D |--3--|
A |--3--|
E |--1--|
Fingers: Index=low E string fret 1 Ring=A string fret 3 Pinky=D string fret 3
Strum: Bottom 3 strings only (E A D)
Songs: Rock rhythm guitar in F, power chord progressions, punk and alternative riffs
F Dominant 7th (F7)
The blues chord in F. Adds a flat 7th to F major creating tension that wants to resolve to Bb. Essential for blues and jazz progressions in Bb major.
F7 notes: F A C Eb
e |--1--| F (root) -- e fret 1 = F yes
B |--1--| F -- B fret 1 = C (5th) yes
G |--2--| A (3rd) -- G fret 2 = A yes
D |--1--| Eb (b7) -- D fret 1 = Eb yes
A |--3--| C (5th) -- A fret 3 = C yes
E |--1--| F (root)
e |--1--|
B |--1--|
G |--2--|
D |--1--|
A |--3--|
E |--1--|
Fingers: Index barre all strings at fret 1
Middle=G string fret 2 Ring=A string fret 3
Note: D string stays at fret 1 (index barre)
Strum: All 6 strings
Songs: 12 bar blues in F, jazz standards resolving to Bb, blues shuffles in F
F Minor 7th (Fm7)
Smooth sophisticated and soulful. The flat 7th added to Fm creates a cooler more sophisticated minor sound. Used constantly in jazz, soul and R&B.
Fm7 notes: F Ab C Eb
e |--1--| F (root)
B |--1--| C (5th) -- B fret 1 = C yes
G |--1--| Ab (m3) -- G fret 1 = G# = Ab yes
D |--1--| Eb (b7) -- D fret 1 = Eb yes
A |--3--| C (5th) -- A fret 3 = C yes
E |--1--| F (root)
e |--1--|
B |--1--|
G |--1--|
D |--1--|
A |--3--|
E |--1--|
Fingers: Index barre all strings at fret 1
Ring=A string fret 3
Strum: All 6 strings
Songs: Jazz ii V I progressions in Eb, soul and R&B chord movements, sophisticated pop ballads
F Major 7th (Fmaj7)
Lush dreamy and warm. One of the easiest and most beautiful F voicings on guitar — only requires one finger. Perfect for beginners who struggle with the full F barre chord.
Fmaj7 notes: F A C E
e |--0--| E (maj7) yes
B |--1--| C (5th) -- B fret 1 = C yes
G |--2--| A (3rd) -- G fret 2 = A yes
D |--3--| F (root) -- D fret 3 = F yes
A |--x--|
E |--x--|
e |--0--|
B |--1--|
G |--2--|
D |--3--|
A |--x--|
E |--x--|
Fingers: Index=B string fret 1 Middle=G string fret 2 Ring=D string fret 3
Strum: 4 strings (D to e — skip A and low E)
Songs: Bossa nova standards, jazz ballads, sophisticated pop progressions — also a great beginner alternative to the full F barre chord
F Suspended 2nd (Fsus2)
Open floating and atmospheric. Replaces the 3rd with a 2nd creating a sound that is neither major nor minor. Beautiful for verse sections and fingerpicking patterns.
Fsus2 notes: F G C (root 2nd 5th)
e |--1--| F (root) -- e fret 1 = F yes
B |--1--| C (5th) -- B fret 1 = C yes
G |--0--| G (2nd) -- G open = G yes
D |--3--| F (root) -- D fret 3 = F yes
A |--x--|
E |--x--|
e |--1--|
B |--1--|
G |--0--|
D |--3--|
A |--x--|
E |--x--|
Fingers: Index=e and B strings at fret 1
Ring=D string fret 3
Strum: 4 strings (D to e — skip A and low E)
Songs: Atmospheric pop and rock, verse sections, fingerpicking patterns in F
F Suspended 4th (Fsus4)
Tense and dramatic. The 4th replaces the 3rd creating tension that resolves beautifully to F major. Often played just before the full F chord.
Fsus4 notes: F Bb C (root 4th 5th)
e |--1--| F (root)
B |--1--| C (5th) -- B fret 1 = C yes
G |--1--| Bb? -- G fret 1 = G# = Ab -- no
G fret 3 = Bb yes
D |--3--| F (root) -- D fret 3 = F yes
A |--3--| C (5th) -- A fret 3 = C yes
E |--1--| F (root)
e |--1--|
B |--1--|
G |--3--|
D |--3--|
A |--3--|
E |--1--|
Fingers: Index barre low E B e strings at fret 1
Ring=A D G strings at fret 3
Strum: All 6 strings
Songs: Classic Fsus4 to F resolutions, dramatic rock moments, tension builders in C major songs
F Add 9 (Fadd9)
F major with an added 9th (G). Fuller and more colourful than plain F major. A beautiful and practical alternative to the full F barre chord for many playing situations.
Fadd9 notes: F A C G (root 3rd 5th 9th)
e |--1--| F (root)
B |--1--| C (5th) -- B fret 1 = C yes
G |--0--| G (9th) -- G open = G yes
D |--3--| F (root) -- D fret 3 = F yes
A |--x--|
E |--x--|
e |--1--|
B |--1--|
G |--0--|
D |--3--|
A |--x--|
E |--x--|
Fingers: Index=e and B strings at fret 1
Ring=D string fret 3
Strum: 4 strings (D to e — skip A and low E)
Rich and modern. The open G string adds the 9th naturally. A practical and beautiful alternative to the full F barre chord that works perfectly in fingerpicking and gentle strumming contexts.
Songs: Modern pop ballads, fingerpicking patterns, emotional verse sections in C major
F Diminished (Fdim)
Tense unstable and dramatic. Used as a passing chord creating powerful chromatic movement between other chords. Appears in classical, jazz and dramatic rock passages.
Fdim notes: F Ab Cb (root minor 3rd flat 5th)
Cb = B natural enharmonically
e |--x--|
B |--0--| B (= Cb flat 5th enharmonic) yes
G |--1--| Ab (m3) -- G fret 1 = G# = Ab yes
D |--3--| F (root) -- D fret 3 = F yes
A |--x--|
E |--x--|
e |--x--|
B |--0--|
G |--1--|
D |--3--|
A |--x--|
E |--x--|
Fingers: Index=G string fret 1 Ring=D string fret 3
B string open
Strum: D G B strings only
Dark and tense. Used as a chromatic passing chord between F and Gm or as a dramatic tension chord in jazz and classical progressions.
Songs: Classical passing chords, jazz progressions, dramatic chromatic movements in C major
F Augmented (Faug)
Mysterious and unsettling. The augmented 5th creates a floating tense quality. Used as a passing chord between F and Fm or Bb creating smooth chromatic voice leading.
Faug notes: F A C# (root major 3rd augmented 5th)
e |--1--| F (root)
B |--2--| C# (aug 5th) -- B fret 2 = C# yes
G |--2--| A (3rd) -- G fret 2 = A yes
D |--3--| F (root) -- D fret 3 = F yes
A |--x--|
E |--x--|
e |--1--|
B |--2--|
G |--2--|
D |--3--|
A |--x--|
E |--x--|
Fingers: Index=e string fret 1 Middle=G string fret 2
Ring=B string fret 2 Pinky=D string fret 3
Strum: 4 strings (D to e — skip A and low E)
Creates mysterious floating tension. The classic use is F — Faug — Bb — Bbm — a progression that moves chromatically through the 5th creating beautiful descending voice leading.
Songs: Jazz passing chords, F Faug Bb progressions, chromatic voice leading movements
Quick Reference — All F Chords
Fm F F5 F7 Fm7
e 1 1 x 1 1
B 1 1 x 1 1
G 1 2 x 2 1
D 3 3 3 1 1
A 3 3 3 3 3
E 1 1 1 1 1
Fmaj7 Fsus2 Fsus4 Fadd9 Fdim Faug
e 0 1 1 1 x 1
B 1 1 1 1 0 2
G 2 0 3 0 1 2
D 3 3 3 3 3 3
A x x 3 x x x
E x x 1 x x x
Common F Chord Progressions
- F — C — Dm — Bb — the I V vi IV in F major. Incredibly common pop progression
- F — Bb — C — F — classic I IV V I in F major
- Fm — Eb — Db — C — emotional minor progression in F
- F — Faug — Bb — Bbm — chromatic descending voice leading
- Fm7 — Bb7 — Ebmaj7 — smooth jazz ii V I using F minor
- F — Fsus4 — F — Fsus2 — F — classic suspension movement
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